Art Plumstead take Conceptual Art very seriously, to the extent that an evening is devoted to it every Plumstravaganza in the garden of The Volunteer. This year’s entries were more in the spirit of the movement in that the artefacts were relatively simple, and had to be explained for them to make sense. As usual, Alison as curator of the exhibition was suitably attired for the occasion (see above).
Themes covered a range of social and political issues, quite serious at times but without being too po-faced. it was Monday night, after all. For instance there was a short interactive performance piece involving the audience’s consumption of passion fruit, symbolising the inadequate protection of historical buildings by outdated protocols – shown by a flimsy basket made from an old magazine – which, once they are disposed of or destroyed can never be recovered.
The magic piece of glass highlighted the way in which it becomes possible to place one’s bum very close to someone’s face in a public situation which wouldn’t normally be acceptable when seated on the tube or DLR. The Death in Greenwich exhibit was a comment on the environmental damage wrought by cruise ships arriving at Greenwich. Erik improvised a skit about house buying with reference to a bird box that just happened to be lying around the garden along with a brimful ashtray. There was a presentation about who should be consigned to a Wicker Man for their relentless unnecessary questions, an exposition about the meaning of the letter yaz in the Berber alphabet, and a tongue-in-cheek funding bid for a series of sculptures made from found objects in multiple locations covering the themes of loss, bereavement, separation and regret.
After all the exhibits had been explained and discussed, it was time to mingle and make plans for Halloween, before making the epic journey up the hill to The Old Mill where Dee blagged a selection of bar snacks to help us concentrate.